Biography of E. E. Cummings
Biography of E. E. Cummings |
• Name: Edward Astlin Cummings.
• Born: 14 October 1894, Cambridge, Massachusetts, US. .
• Father: Edward Cummings.
• Mother: Rebecca Haswell Clarke.
• wife husband : .
Early life of E. E. Cummings:
Edward Astlin Cummings was born on October 14, 1894 in Cambridge, Massachusetts to Edward Cummings and the former Rebecca Haswell Clarke, a well-known Unitarian couple in the city. His father was a professor at Harvard University who later became nationally famous as a minister of the South Congregational Church (Unitarian) in Boston, Massachusetts. His mother, who loved spending time with her children, played games with Cummings and her sister Elizabeth. From an early age, Cummings' parents supported her creative gifts.
Cummings wrote poems and was attracted as a child, and he often played outside with many other children living in his neighborhood. He grew up with family friends such as philosopher William James and Josiah Royce. Several Cummings were spent at Summer on Silver Lake in Madison, New Hampshire, where his father built two houses along the eastern shore. The family eventually purchased the nearby Joy Farm, where Cummings had his primary summer residence.
He expressed his whole life in parochial leanings. As he matured, Cummings moved into an "I, thou" relationship with God. References to his magazines "Le Bon Deku", as well as prayers for inspiration in his poetry and artwork (such as "Bon ditu! Maybe I will do something really great someday. Amen").
His book Tulip and Chimney (1923) was a collection of poems. He published a few more volumes of poetry in the 1920s and '30s. Cummings, who lived in Paris and New York, was known for poems that play wildly with form and spacing, punctuation, capitalization, overall grammar, and pacing (the title of one of his poems): "Hours Stars and rise up by closing it "), perhaps serving as a structural metaphor for the author's belief that most people in modern society have personal creativity And killed freedom. However, he was also able to write traditionally styled verses such as a disposition for wittiness and eccentricity. Cummings's work was also known for its focus on nature, sexuality, and love, from a sensual and spiritual point of view.
After 1945, a new generation of poets in rebellion against the previous generation of poets began to find an echo of their own ideas about poetry in Cummings, and Cummings began to gain the recognition that had long since given him. She was saved In 1950, the American Poet's Academy honored Cummings, a self-described "failure", "a company for great achievement," and his collection of poems, 1923–1954 (1954), received praise from those who First criticized Cummings.
Harvard University honored his distinguished graduate by asking Cummings to lecture Charles Eliot Norton in 1952–1953, his only foray into formal artistic autobiography (a person's own or his life story). It was later published as i: Six Non-Electors (1953).
In the lecture, Cummings stated that perhaps fifteen poems were faithful expressions of his ideas as an artist and human. The total number of truly memorable short poems is certainly greater than this small figure, but still only a fraction of the nearly one thousand poems published in his lifetime.
He wrote 12 versions of the poem, assembled in his two-volume Complete Poems (1968). Cummings' linguistic uses range from newly invented compound words to inverted syntax. They used nontraditional capitalization to emphasize different text alignments, irregularly spaced lines, and particular words and phrases.
In many instances his distinctive typography mimicked the energy or tone of his subject matter. Cummings' moods were alternately satirical and tough or tender and whimsical. He often used colloquial language and material from colloquial and circus. His erotic poetry and love songs had a childlike candor and freshness and were often vividly imbued with images of nature.