• Name: John Milton Cage Jr.
• Birth: September 5, 1912, Los Angeles, California, U.S.A.
• Father: John Milton Cage Sr.
• Mother: Luccia (Crete) Harvey
• wife husband : .
Early life of John Milton Cage Jr:
John Milton Cage Jr. was an American musician and music theorist. A pioneer of uncertainty in non-standard use of music, electrical music and musical instruments, Cage was one of the key figures of postwar incarnations. Critics have praised him as one of the most influential creators of the 20th century. He also played an important role in the development of modern dance, through his collaboration with most choreographer Merus Cunningham, who was also a romantic comedian for most of his life.
The cage is perhaps best known for her 1952 composition 4 "33 known, which is deliberately done in the absence of sound; Musicians who do the work do nothing other than being present for the specified period by title. The content of the composition is not "four minutes and 33 seconds of silence", as is often considered, but the sound of the environment heard by the audience during the show.
The challenge of working to acquire definitions about the experience of music and music made it a popular and controversial subject in both aesthetics of music and art and performance. Cage was also a pioneer of ready piano (a piano with his voice or with objects kept between his wires or hammers), for which he wrote many dance-related works and some concert programs. The most famous of these are Sonata and Interludes (1946-48).
Cage's early works were written in his teacher Schonberg's 12-vocal method, but by 1939, he had begun experimenting with "ready piano" (a piano rapidly unorthodox means) (modified by objects to a piano So that the collision could be produced and other sound effects).
Cage experimented with tape recorders, record players and radio in their endeavor to step out of their concept of traditional western music and their concept of meaningful sound. The concert he had given in concert in the Museum of Modern Art in New York City in 1943, he was the first step to emerge as the famous musician of American music, Avant-Garde.
An unwavering interest in Eastern philosophy in the 1940s saw him initially immersing himself in South Asian writing, after which there were even more revelations with East Asian philosophy, especially Zen. Cage's study helped in nurturing their faith in the principle of non-participation, in which it is possible to abandon control by the use of uncertainty and coincidence. His ideal was to find a constructive process that would destroy any traditional meaning of continuity of music: giving a control so that sounds can become sounds', as they said.
In his work of the 1950s, together with three small American musicians, with whom he made a particularly close association - Earle Brown, Morton Feldman and Christian Wolff - discovered potential processes, which offered potential processes. For this purpose, he chose the money from the instruments of randomizing, especially for both radio and radio in the epic four-volume music (1951) for 12 radio for the Fantasy Landscape No. 4 (1951); Lists on manuscript paper in piano music (1952-6); Map of the sky in the Atlas Eclipticis (1961-2) for the orchestra; And HPSCHD (1967-9) in the computer for seven harpsichord and tape.
The experimental sense of Cage continued to grow steadily in the 1960s and beyond. "Environmental Aquagne" Music Circus (1967) contains everything from rock music to pantomime; HPSCHD (1967) is a mix of computer technology with Mozart, Beethoven and Chopin's music. Child of Tree (1975) asks for the amplification of a potted plant, inlets (1977) for four sounds and sounds of fire, and Il Tréno (1978) for "ready trains"
Although his career was massively exposed without the establishment of music in the US, Cage became something of a fond big politician in his later years, with formal differences marking his major birthdays and concerts. was awarded. He died on August 12, 1992 in New York City.
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