Biography of Aeschylus

• Name: Susan Tsongaig (Rosenblut).
• Birth: c. 523 BC, Elusis, Greece.
• Father: Euphoria.
• Mum: Mildred Rosenblut.
• Wife / Husband: Philip Riff

Early life Aeschylus:

        Aeschylus was an ancient Greek tragician. They are often said to be the father of the tragedy. The knowledge of academics about style begins with their work, and the understanding of the tragedies of the past is largely based on projections from their live plays. According to Aristotle, he expanded the number of characters in the theater and allowed the struggle between them; The characters had previously only interacted with the chorus.

        Only seven survivors from their estimated seventy to nineteen plays, and a long-standing debate about their writings in one of them, Prometheus Bound, is being debated, which some people believe their son Euphrion actually wrote . Excerpts from some other plays are found in quotes and the search on Egyptian papyrus continues, which often provide more insights into their work.

        He was probably the first playwright to present the plays as a trilogy; His orchestration is the only ancient example to survive. His at least one drama was influenced by the second invasion of the Greeks (480-479 BC). This work, The Persians, is the only surviving classical Greek tragedy related to contemporary events (very few of those types were written), and a useful source of information about its period

        Prometheus Bound is probably the most famous tragedy of Asheskill, due to its depiction of the famous Prometheus, which is tied in a mountain peak and can not move. It is being punished to defy the authority of God Zeus by bringing fire to mankind.

        Zeus is depicted as a bully and Prometheus as a victim but disorderly rebel. Both are guilty of pride. Both should learn through pain: Zeus exercised power with mercy and justice, and Prometheus to respect authority.

        The work of ashesilas is Orastia, the only preserved trilogy from the Greek drama. There are three plays Agamemnon, The Choforie, and The Uymnades. Although they make different plays, they are united in their general theme of justice.

        The Trojan War (490-480 BC, a war in which the Greeks fought against the Trojans and ended with the destruction of Troy) returns to their home only, murdered by his loyal wife, Clintmannastra and her lover Is done. The king's children take revenge which ultimately leads them to their trials by the Gods. The subject of evil that reduces evil has been written in a powerful way.

        The effect of the Ashesius on the development of the tragedy was fundamental. Before them, the Greek drama was an actor (who was known as the protagonist, meaning the first actor, once more added to others) and a chorus was engaged in a largely stable text. (Chorus was a group of actors who responded to the main verb of a play with song, dance and recitation, and commented.) Actors could change masks and costumes to adopt different roles, but they only get involved in the dialogue Were limited to With chorus.

        With the addition of a second actor (decontroller, or second actor), the first to have a conversation, Ashleys increased the chances of drama for dialogue and dramatic tension and allowed greater diversity and freedom in plot creation.

        Although the core of the chorus in the initial tragedy is ultimately the hypothesis, it is probably true that, as Aristotle has said in his Poetics, Ashkelas "reduced the role of the chorus and made the plot the chief actor." Eschalis was an innovator in other ways.

        They made good use of stage settings and stage machinery, and some of their works were noted for their magnificent natural effects. He also prepared costumes, trained his chorus in his songs and dances, and possibly acted in most of his plays, it was a common practice among Greek playwright.